2015年10月9日 星期五
2014年8月29日 星期五
Psalm 51 Cantate Domino
作曲:
Randall Stroope
演唱:
Chór Politechniki Świętokrzyskiej
Cantate Domino - Randall Stroope
Estudio Vocal Universitario
Dir. Mtro. Guido Vacca
Pquia. San Josemaría Escrivá, Roma, Italia 2012
Psalm 23 - by Z. Randall Stroope
Psalm 23 by Z. Randall Stroope
Bellevue Presbyterian Church - Bel Canto
Scott Dean, Director
Kate Froese, Accompanist
2013 Youth Choir Festival NW
Festival Concert
Saturday, June 8, 2013
Lagerquist Concert Hall, Pacific Lutheran University, Tacoma WA
www.youthchoirfestival.com
www.facebook.com/youthchoirfestival
詩篇23篇 ---松下耕
主は私の羊飼い（詩篇23 / Psalm23）
【明治大学グリークラブ 男声版委嘱初演作品】
曲: 松下耕 (MATSUSHITA, Ko)
指 揮: 宮城太一 (MIYAGI, Taichi)
ピアノ: 三浦真理子(MIURA, Mariko)
合 唱: 明治大学グリークラブ (Meiji University Glee Club)
明治大学グリークラブ第61回定期演奏会より
主は私の羊飼い 詩編23
松下耕 女声合唱とピアノのための「三つの詩編」より
インターカレッジ女声合唱団Voces Fidelis ハンガリー演奏旅行 2014
3/17 ブダペストの聖アンナ教会でのモンテヴェルディ合唱団とのジョイントコンサートより、
指揮:松下耕
ピアノ:鈴木花織
合唱:インターカレッジ女声合唱団Voces Fidelis
http://vocesfidelis.pupu.jp/joinus.html
Intercollege Ladies' Choir Voces Fidelis' 2014 Hungary Concert Tour
in Budapest St.Anna「The LORD is my shepherd(Psalm23)」
Conductor:Ko MATSUSHITA
Piano:Kaori Suzuki
Choir:Intercollege Ladies' Choir Voces Fidelis
Cantate Domino 頌讚上主 by 松下耕(詩篇96篇)
2012高雄室內合唱團夏季公演
大師系列之三《亞洲桂冠指揮 松下耕》
高雄市文化中心至德堂
2012-6-10
指揮: 松下耕
伴奏: 許溎芳
作曲: 松下耕
Cantate Domino canticum novum,
cantate Domino omnis terra.
cantate Domino benedicite nomini eius,
adnuntiate diem de die salutare eius.
quoniam magnus Dominus et laudabilis valde
terribilis est super omnes deos.
quoniam omnes dii gentium daemonia
at vero Dominus caelos fecit.
confessio et pulchritudo in conspectu eius,
sanctimonia et magnificentia in sanctificatione eius.
Laetentur caeli et exultet terra
commoveatur mare et plenitudo eius.
要向上主唱新歌！
全地要歌頌上主！
要向上主歌唱頌讚祂，
要天天傳報祂拯救的佳音。
上主至大，當受極大的頌讚，
祂在萬神之上當受敬畏。
列國的神都不過是偶像，
但上主創造了諸天。
有尊榮和威嚴在祂面前。
有能力與華美在祂聖所。
願天歡喜、願地快樂，
願海和其中所有的生命呼喊。
2011年日本發生了311大地震，之後作曲家松下耕聯合美國合唱企畫協會（The Choir Project）、荷蘭歌唱希望合唱團（Wishful Singing）共同發起了「為日本而唱」（Sing for Japan），計畫中個人、合唱團透過自由捐款，便能獲得松下耕為此活動所寫四首合唱
2013年8月14日 星期三
Igor Stravinsky / Symphony of Psalms
http://www.youtube.com/watch?v=DqWZGUO_eoc
http://www.youtube.com/watch?v=LUGyAtcEFy8
Wisconsin Conservatory Symphony Chorus
Milwaukee Symphony Orchestra
http://www.youtube.com/watch?v=cV6nqhGqIaY
Gary Bertini conducts the Orquesta Sinfónica y Coro de Radiotelevisión Española (Spanish Radio and Television Symphony Orchestra and Choir). Madrid. Teatro Monumental. 02.04.1993
I. Psalm 38, vs. 13 and 14,
II. Psalm 39, vs. 2, 3 and 4,
III. Psalm 150,
http://www.youtube.com/watch?v=LUGyAtcEFy8
Wisconsin Conservatory Symphony Chorus
Milwaukee Symphony Orchestra
http://www.youtube.com/watch?v=cV6nqhGqIaY
Gary Bertini conducts the Orquesta Sinfónica y Coro de Radiotelevisión Española (Spanish Radio and Television Symphony Orchestra and Choir). Madrid. Teatro Monumental. 02.04.1993
I. Psalm 38, vs. 13 and 14,
II. Psalm 39, vs. 2, 3 and 4,
III. Psalm 150,
2013年8月1日 星期四
taaveti laulud (大衛之詩組曲)
作曲: Cyrillus Kreek (1889-1962)
Õnnis on inimene,
kes ei käi õelate nõu järele. Halleluuja!
Sest Issand tunneb õigete teed,
aga õelate tee läheb hukka.
Teeniga Issandat kartusega
ja olge rõõmsad värisemisega.
Väga õndsad on kõik, kes Tema juurde kipuvad.
Tõuse üles Issand, päästa mind, mu Jumal.
Au olgu Isale, Pojale ja Pühale Vaimule,
nüüd ja igavest. Aamen.
Happy is the man
Who does not take the wicked for his guide.
The Lord watches over the way of the righteous,
but the way of the wicked is doomed.
Worship the Lord with reverence,
and rjoice with trembling.
Happy are all who find refuge in him.
Rise up, Lord, save me, O my god.
Glory to the Father, the Son and the Holy Spirit.
Now and forever. Amen.
Author: Cyrillus Kreek
Performed by: King Singers
kes ei käi õelate nõu järele. Halleluuja!
Sest Issand tunneb õigete teed,
aga õelate tee läheb hukka.
Teeniga Issandat kartusega
ja olge rõõmsad värisemisega.
Väga õndsad on kõik, kes Tema juurde kipuvad.
Tõuse üles Issand, päästa mind, mu Jumal.
Au olgu Isale, Pojale ja Pühale Vaimule,
nüüd ja igavest. Aamen.
Happy is the man
Who does not take the wicked for his guide.
The Lord watches over the way of the righteous,
but the way of the wicked is doomed.
Worship the Lord with reverence,
and rjoice with trembling.
Happy are all who find refuge in him.
Rise up, Lord, save me, O my god.
Glory to the Father, the Son and the Holy Spirit.
Now and forever. Amen.
Author: Cyrillus Kreek
Performed by: King Singers
2013年7月31日 星期三
詩篇第1篇
作曲:Monteverdi
http://www.youtube.com/watch?v=IPNZeT_7OR4
Monteverdi’s Beatus vir (translated by Christopher Eckart)
Fortunate[1],
fortunate is man. Fortunate, fortunate
is man.
His seed will reign on earth. He
will be blessed with glory and wealth[2].
Fortunate, fortunate is man. He
came to being[3]
compassionate and just.
Fortunate, fortunate is man.
Compassion and take their rightful place.
Their words will go down justly in eternal memory.
Ready, ready, ready are their hearts, they are firm and will not be
swayed.
They distribute freely and give from their horn of plenty.
They will be exalted in glory, they will be exalted in glory.
Fortunate, fortunate is the man who fears the lord, whose anger will
build
And roar through his teeth, then subside. Man’s desire for sin, his desire for
Sin will perish, will perish.
Fortunate is the man who fears the lord.
Glory to the Father, and glory to the Son. Glory also to the Holy Spirit, just
As there was in the beginning, glory, both now and always.
Glory, even in the ages of ages[6],
glory, even in the ages of ages.
Glory, glory, glory even in the ages of ages glory, even in the ages of
ages.
Glory, glory, glory even in the ages of ages. Amen.
Notes on the text and translation
The most noticeable aspect of a literal translation of this song is the
repetition of a large number of words and phrases. This is however, not as apparent when the
song is sung. Lyrics to any song can
seem trite or repetitive when simply read from a page, but are given context
and different emphases when sung, so their repetition can be pleasing.
The hymn is divided into four clear stanzas or verses. The first declares man’s great power and his
privileged position in God’s world. It has
a powerful positive message. The second
verse again exclaims the greatness of the human race, but elaborates and names
some of our admirable qualities (compassion, steadfastness, generosity). The point that Monteverdi (whose name is
Latin for ‘Green Mountain’) seems to be making is that in humans, God has
created the ideal beings. Monteverdi
probably believed, as many Christians still do, that God created humans in his
own image.
The third verse however, gives a less positive image of God, while still
singing the praises of humans. It is a
moralistic warning. By conveying that
the man who fears good is fortunate, Monteverdi is making an implicit
comparison to all those who do not fear God.
Surely they are less fortunate and will have to suffer god’s rage. The mention of God’s teeth in this stanza
seems strange. However, if we consider
the overall theme of the hymn to be the reflective relationship between God and
his human creations, it follows logically that God should also have physical
human characteristics.
The fourth and final verse is a traditional Psalm (hymn of praise)
ending. It does not particularly carry
on the theme of the rest of the song, but rather acts as a formulaic
closing. Glory is given to the holy
trinity (Father, Son and Holy Spirit) and we are reminded of God’s eternal
timeframe, from the beginning, on through eternity.
Footnotes reprinted
[1] ‘Beatus’ is a
widely used adjective with many meanings.
They range from ‘happy’ in classical Latin to ‘blessed’ in the Latin of Monteverdi’s
time. ‘Fortunate’ conveys both of these
ideas together.
2 ‘Divitiae’ means
riches or wealth in both the material and the spiritual senses.
3 ‘Exortum est’ =
came to being, or arose, but Monteverdi seems to mean something more like ‘was
created’.
4 ‘Jucundus’ is a
strong contrast to ‘Beatus’. It is a
much less weighty adjective. Possible
translations include ‘agreeable’ or ‘pleasant’.
5 ‘Homo’ is the
Latin word for human being or person. It
is singular in the Latin, but I have translated it and the verbs following as
plural because it is meant to convey the sense of ‘the whole human race’.
6 ‘Ages of ages’ is the traditional (and literal) church translation
of ‘saecula saeculorum’. It is a poetic
way of saying ‘forever’.
[1] ‘Beatus’ is a widely used adjective with many meanings. They range from ‘happy’ in classical Latin to
‘blessed’ in the Latin of Monteverdi’s time.
‘Fortunate’ conveys both of these ideas together.
[2] ‘Divitiae’ means riches or wealth in both the material and the
spiritual senses.
[3] ‘Exortum est’ = came to being, or arose, but Monteverdi seems to
mean something more like ‘was created’.
[4] ‘Jucundus’ is a strong contrast to ‘Beatus’. It is a much less weighty adjective. Possible translations include ‘agreeable’ or
‘pleasant’.
[5] ‘Homo’ is the Latin word for human being or person. It is singular in the Latin, but I have
translated it and the verbs following as plural because it is meant to convey
the sense of ‘the whole human race’.
[6] ‘Ages of ages’ is the traditional (and literal) church translation
of ‘saecula saeculorum’. It is a poetic
way of saying ‘forever’.
2013年6月24日 星期一
詩篇150篇(曲:Ernani Aguiar)
作曲家:Ernani Aguiar
A scholarship winner to the Argentine Mozarteum,[1] Aguiar studied under various composers and conductors in South America and later in Europe, including Sergiu Celibidache.[2] As a musicologist, he has specialized in the revising, editing, and revival of works by composers of the 18th century Minas Gerais School. He has written a number of instrumental pieces, but his most famous works are his choral pieces, such as the fiery Salmo 150 (1993), which features rhythmic backgrounds with very rapid articulations. Salmo 150has proved a very popular piece among choral conductors worldwide,[3] particularly within the American Choral Directors Association.
He is currently a professor of music at the Federal University of Rio de Janeiro, a fellow of the Villa-Lobos Institute, and a member of the Academia Brasileira de Música.[2]
詩篇150篇
演唱:台北室內合唱團
2013年2月28日 星期四
2013年1月29日 星期二
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